00:29: Spicy (& Spicy) Bean-Sprouts

I've just finished a very happy-tasting dish of tofu, mushrooms, and bean-sprouts sauté'd in a combination of mustard-oil and `mongolian fire oil', and I'm remembering a conversation that I had with a coworker about her plans to make `spicy fresh spring rolls'....

The recipe had called for a combination of chili-sauce and hot mustard, and she had no hot mustard; her plan was to substitute some Sriracha chili-sauce for the hot mustard, explaining that she `just wanted something with a spicy kick to it'.

I had a certain difficulty comprehending that idea, though--because chili-sauce and `hot' mustard don't actually taste anything like each other, and the capsaicin `burn' (at the point of contact) and the AITC `burn' (in the sinuses) are just completely different sensations. There's no way that one can be used to create an experience equivalent to that of the other. It's like substituting a pumpernickel bagel for a chocolate doughnut--as fond as I am of both pumpernickel bagels and chocolate doughnuts..., I would still think, if I were biting into the former when expecting the latter, that I was biting into the worst-tasting chocolate doughnut I'd ever had.

And there's the crux of my misunderstanding: what wasn't apparent to me was that she didn't actually want to create an equivalent experience--she actually didn't like the `mustard burn', and would have preferred a modified version of the recipe that lacked that sensation and gave her more of another sensation that she did like.

But it got me thinking: if I needed to pick something that was similar to hot mustard--that did provide a similar experience--what would I pick? And I think that I might pick... mint. A good strong dose of (the right) mint, while it does provide some elements very different from mustard, also provides a sort of `surprised' nasal sensation that does bear a certain similarity to the `wasabi rush'.

Or is it just me?

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17:57: Divorce, Facebook-style

OK, so one feature of Facebook actually made me chuckle:

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12:32: Mapping with (and without) VisualIDs

I recently started hacking on tangoGPS: it's mostly pretty swell (which has made it the most popular GPS/mapping application on the FreeRunner) but there are a couple of things about it that just vex me:

One thing is that, because the FreeRunner's amazingly high-resolution LCD is of an amazingly higher resolution than OpenStreetMap expects when they rasterise their map-tiles, labels (and a lot of other details) that would be perfectly legible on a 96-DPI desktop computer monitor are inscrutable on the FreeRunner's >280-DPI screen.

So, I fixed that.

Another thing is that it can be hard to make much sense out of the stock points-of-interest display. For example, here are a bunch of schools around the area where I grew up:

Plotted on this map are campuses for UNH, U-Mass, MIT, Souhegan High School, and a few other random items. It takes considerable conscious effort for me to figure out which is which, even though these are all places that I know (places that I marked on the map!).

This display would be great as some sort of statistical scatter plot, but it's mostly useless as a tool for locating specific, individual points of interest: since all of the points look exactly the same, the only attribute that can be used to identify a point is its position, and there's often just not enough `cognitive resolution' to completely disambiguate solely by position--we often just don't think in that level of detail with regard to location, and there's often something akin to quantisation-error when we try.

If you happen to be unfamiliar with this region or the schools that I've plotted, then you can immediately appreciate how problematic it can be to have positional cues be the only way to distinguish points: it's worse for unfamiliar territory, where either the region as a whole or the desired point within the region is just not familiar enough for any spatial cues to be useful by themselves.

If you're at all familiar with the region depicted in the map, and where the points of interest are supposed to be, then you might expect it to be pretty easy to pick things out, but it turns out that it's actually quite hard to find or identify an individual point in a scatter plot even for `easy' datasets. On the above map, for example, there are very few points of interest, several of them have well-known locations, and no two points are colocated. In other words, this is an `easy' example, and things only get harder from here. The version that has markers for all of the places that are actually of interest to me (or anyone else, I imagine) is much worse.

Throw in enough identical-looking `clutter' and anyone would find it virtually impossible to determine which of several closely-spaced points is the desired one. Unfamiliarity just changes the metric for `close', increasing the distance at which two things can remain indistinguishable.

This whole situation actually sounds like exactly the same sort of problem-space that motivated the developent of VisualIDs in the first place. The problem was originally laid-out in terms of `scenery for data worlds', with datascapes as an analogue to actual landscapes; but what if the datascape in question turns out to relate somewhat more directly to an actual landscape--what if the `virtual landscape' over which the scenery-points or `landmarks' are strewn is actually a direct representation of an actual, physical landscape?

There's something about that that's just perfect.

So, I did it. And it was an impressively quick (and impressively clean) modification--all I had to do was to generalise tangoGPS' POI-icon code a little bit (adding get_poi_icon() and get_poi_icon_path() functions where the (singular) POI-icon's path had been hardcoded), and then plug-in a call to mkvisualid. It turns out that GDK-PixBuf `just works' with the SVG graphics that mkvisualid outputs, so then I was basically... done!

And, after only some minor tweaks, I can say that it's a resounding success: in my own real-world experience over the past month or so since I actually implemented this and started using it, it's turned out to be a real boon, making tangoGPS' POI display significantly more useful--I've been able to use the POI display to quickly and easily identify travel-destinations before or while navigating to them, and it's also been quite helpful in showing other people where things are. I've even been able to add POIs for new and unfamiliar places just by inputting their lat/lon coordinates and then looking out for a new and unfamiliar icon--then, once I've seen it, it's trivial to find it again. The experience is just so much better that I'm completely unwilling to go back to life without VisualIDs.

But pictures can be so much more illustrative, so here's a primer--a quick introduction to mapping with VisualIDs: take a look at each of these icons and the associated place-name, just for about as long as it would take you to say `oh, that's an interesting icon' for each one (as you might when you see it appear after recording your point of interest into your GPS):

MIT	NH Community College	Souhegan High School	U-Mass	UNH	Worcester Polytechnic Institute	Middle of nowhere	Buried Treasure

Now, try to to find:

• UNH (yes, there are 2)
• Worcester Polytechnic Institute
• MIT

It's even easy to find the `buried treasure' site, isn't it?

So, it works!

Though, I've yet to explain the `minor tweaks' mentioned above: while most of the glyph-types make perfectly legible cartographic icons, two of them (`line' and `path') are, unsurprisingly, often difficult to distinguish from the street-segments over which they are drawn--so I simply disabled them. Almost all of the other glyph-types are represented in this screenshot (`shape', `radial', `symmetry', `figure'; the only one that's missing, by sheer happenstance, is `spiral'), and they all work reasonably well; though one obvious issue is that the rendering of `symmetry' glyphs (as for Souhegan High School and U-Mass) may have potential to be confusing, so it may make sense to disable them too, if I can't find a way of rendering them such that the sub-glyphs are more clearly connected to each other.

An interesting side-effect of using distinctive icons for POIs, actually relating back to the whole `map with scatterplot' concept: not only is it easier to recognise any single given POI, but multiple POIs are recognisable simultaneously, which causes the relationships between POIs to become apparent. For example: when I was, for the first time, able see all of my favorite places plotted on the map simultaneously and recognisably, it became clear that many things just weren't situated physically in the same way that I had organised them mentally--places that I'd always thought of as `close to each other' turned out to be physically further apart, vice versa, etc. In cases like those, the improvement in POI-recognition has been profound: where I would previously have had to spend time picking through numerous mistaken selections just because I'd started looking in the wrong place, I'm now able to immediately, correctly recognise and select the point that I want--even if it's not quite where I expected it to be.

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22:56: libvisualid 0.2 released

Version 0.2 of my `applied mathematics and primitive art' project, libvisualid, is out.

There's some new functionality, and a new toy included, but the biggest change is that the internals have been completely refactored to use GObject.

Restructuring everything around GObject has actually been really helpful in clearing up some points of confusion that I encountered during the initial implementation--now those semantic bugs have been squashed.

Now that the big pieces of new architecture are in place, I can start shedding the old (and less usable) interfaces, I can start developing the finer points in the new interface, and I can start evolving the actual functionality to include things like:

• A glyph-mutator system that can automatically derive new glyphs from existing glyphs (I have a weighted Levenshtein algorithm on which I've been working).
• New glyph-types (Pam wants butterflies...).
• More dimensions to the system (colour should be fun).
• Tools that end users can use to provide feedback to the system and tune its operation.
• A portable, stable, and re-entrant PRNG (glib provides the base for this).
• etc.

(look for that stuff to start showing up in 0.3)

The existing patches for Nautilus still work, for anyone who's using them (or who hasn't tried them but would like to).

[From the NEWS file included in the tarball]

Version 0.2.0 is a significant revision of libvisualid, though the
user-interface of the `mkvisualid' command remains mostly unaltered;
visible changes include:

    * A new "--base-weight" option has been added, to set the default
      weight for generators in the probability-set; it's possible to
      disable all generators with "--base-weight=0" and then easily
      enable only specific generators.
    * A new "--autocache-dir" option has been added, allowing the
      glyph-cache directory to be specified.
    * The "--autocache" and "--output" options can now be used
      simultaneously (in the future, the `autocache' files will be in
      a different format capable of storing glyph-structures with all
      attribute-data intact, instead of just storing renditions).
    * If the path specified via the "--output" option exists and is a
      directory, then a file is created in that directory with a name
      according to the input name.

A new `VisualID Explorer' demo-application has been added, using GTK+ with
several alternate GUIs defined using Glade.


The libvisualid library contains several new features, including:

    * visualid_complexity(), a function providing overall
      complexity-metrics for VisualID glyphs.
    * visualid_set_cachedir(), a function that allows the global
      cache-directory to be changed.
    * Automatic limiting of overall glyph-complexity: an integer in
      constants.c (complexity_max) controls the maximum
      glyph-complexity, having a default value of 5000 (a measure of
      something akin to `number of brushstrokes').
    * As the result of everything having been refactored using GObject
      (cf. details below), we finally have a way to *deallocate*
      VisualID glyph-structures!
    * Some bugfixes.


This release of the libvisualid library is binary-incompatible from
all previous releases, and is source-incompatible in a few minor ways:

    * exec_generator() has been renamed to visualid_draw_path().
    * generate_child() has been split into two special-purpose functions:
        - visualid_glyph_new(), for producing root glyphs,
        - visualid_glyph_spawn(), for producing and assigning
          subordinate glyphs.
    * All of the class-specific generator-functions have been reworked
      to have the same parameters as visualid_glyph_spawn().

Aside from the above changes, libvisualid should be source-compatible
in every meaningful way.

The `generator' structs have been converted into GObject classes,
including a base `VisualID_Glyph' class; the existing structs have
been preserved for the time being, but this marks the beginning of
API-redesign whereby terminology will be corrected and the API will be
reformed into something more fit for general consumption (e.g.: public
names put into a namespace).

The naming of the structs in 0.1.x as `*_generator' was somewhat
inappropriate, and due to some misinterpretation of some ambiguous
text in the essay: while the `*_generator' structs /are/ data
/related/ to generators, the `gen_*' function itself (not the data
that it produces) /is/ the generator. The term, "glyph", has been
chosen for the base-class in the VisualIDs `shape grammar' by analogy
with written-language grammar where `glyphs' of typography are
realisations of abstract `characters'; the `characters' of the
shape-grammar would then be the classes per se: `radial', `spiral',
`figure', `line', etc.

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00:47: תיקון mix

My introduction to Facebook... left me in tears.

If the `Trying Facebook' entry came out seeming angry rather than sorrowful, then I should probably apologise to anyone who read it.

When I went to bed, that night, I wanted to cry. My wife asked me why I'd come to bed so late, I said "Because I'm depressed".

"This whole Facebook thing has just got me really upset", I said.

She said, "Then delete your account--it's OK, you don't have to use it."

I told her, "It's not Facebook per se--it's that it seems like my friends are telling me that they basically don't want to be bothered corresponding with me unless I can solve all of these puzzles. That's what's bothering me."

When I awoke the next morning, I wanted to cry.

We were going to go visit Pam's sister and her family, so I made myself a `healing mix' on my iPod.

1. Nine Inch Nails: Somewhat Damaged
2. Nine Inch Nails: The Great Below
3. Nine Inch Nails: La Mer
4. Brian Eno & Daniel Lanois: An Ending (Ascent)
5. Pachelbel: Canon
6. Beethoven: Symphony #9
7. Vivaldi: Allegro
8. Vivaldi: Adante
9. Rusted Root: Send Me on My Way
10. Shakira: Whenever, Wherever
11. KT Tunstall: Black Horse & the Cherry Tree
12. Morten Johannes Ervik: En fabelaktig s(k)jebne
13. Ratatat: Mirando
14. U2: Where the Streets Have No Name
15. Donna Lewis: I Love You Always Forever
16. Vitamin C: Smile

There were more, but I was back in perfect health by #16.

#4 is where I broke down, and where I began rebuilding.

Several of the pieces listed above are ones that I find profoundly moving (Canon, in particular, always makes be cry--it's just that beautiful). Listening to them--experiencing them all in series like that provided a sensation of... liberation, hard to describe.

Maybe it's like flying--soaring. It's like..., I don't know--it's like being loved.

In some way, being immersed in beauteous music is (perhaps) the same sort of experience as the `pure light' experience that the doctor described in `Sunshine'.

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